randian | 燃点

Writer Luise Guest examines the banal and the beautiful in the work of Gao Rong and Dong Yuan, two Beijing-based women artists who deal with issues of memory and domesticity in their work.
 
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China Drifting Festival is as multi-faceted as the wide range of Chinese urban culture. >> Read more

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more

Michael Ku Gallery is proud to present an exhibition that gathers the works of five young contemporary Taiwanese artists, all of whom share artistic sympathies and inspire one another. From their works, viewers will gain insight into the defining characteristics of Taiwan’s contemporary art. >> Read more

Ding Yi’s paintings refuse to answer, to limit or be limited. Whether small or vast, their multi-hued fields of crosses map and divide pictorial space, transparent and unguarded, beguiling with pattern. But this is no panacea for interpretation, for anything-goes opinion. Look closely at each painting and you can become familiar with them, with the individual character of the multitude of marks that compose their seeming and actual similarity, the repetitions, threads and permutations, and yet still not know them >> Read more

Chambers Fine Art is pleased to present Transitions, an exhibition featuring three young artists whose worksillustrate the way in which transitional periods within their lives have informed their art practice. >> Read more

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more

Art Basel in Hong Kong's widely acclaimed Encounters sector – a unique platform dedicated to presenting large-scale sculptural installations that transcend the traditional art fair booth …… >> Read more